Peter S. Shin (b. 1991) is a composer whose music navigates issues of national belonging, the co-opting and intermingling of disparate musical vernaculars, and the liminality between the two halves of his second-generation Korean-American identity. The New York Times described him as “a composer to watch” and his music “entirely fresh and personal.”
Peter’s music has been performed at Carnegie Hall through the “First Music” Commission, Walt Disney Concert Hall through the Los Angeles Philharmonic’s “Noon to Midnight” series, and Chicago’s Symphony Center through the Civic Orchestra New Music Workshop.
Current projects include a commission by John Adams and Deborah O’Grady for the 2018 Cabrillo Festival (Hypercolor premiering August 11, 2018), a commission for Roomful of Teeth through the American Composers Forum premiering in 2019, a film score for the 2019 Mizzou International Composers Festival with Alarm Will Sound, and a chamber orchestra work for the Berkeley Symphony’s 2018/19 season.
Additional honors include a 2018 American Academy of Arts and Letters Charles Ives Scholarship, a 2018 ASCAP Morton Gould Young Composer Award, a 2017 Fulbright Research Grant, a 2017 Aspen Music Festival Fellowship, the 2017 Minnesota Orchestra Composer Institute, the 2017/18 New York Youth Symphony “First Music” Commission, the 2018 Civic Orchestra of Chicago New Music Workshop with coachings by the International Contemporary Ensemble (ICE), the 2017/18 Kaleidoscope Chamber Orchestra International Call for Scores, and the 2017 SCI/ASCAP Commission Competition in the Graduate Division, among others.
A native of Kansas City, Missouri and a graduate of the University of Michigan (B.M.) and the University of Southern California (M.M.), Peter is currently a composer fellow of the Berkeley Symphony and will continue studies at the Yale School of Music (M.M.A.) starting this fall. For more information, please visit: peter-shin.com.